Warning! Spoilers!

There really isn't another show quite like THE GILMORE GIRLS. No other series so thoroughly dedicated to words. There are no doubt other series with great talk: BUFFY THE VAMPIRE SLAYER definitely comes to mind. But no other show that I know put language and witty talk so completely at the heart of what it was trying to do. Creator Amy Sherman-Palladino said that she was inspired by great Hollywood comedies like the Thin Man series and HIS GIRL FRIDAY (one of the few films where the characters talked faster than they did on THE GILMORE GIRLS). And for five absolutely brilliant and one less than brilliant season the show was magical beyond any reasonable expectation. Then came Season Seven. I still watched with great interest. Well, until the marriage to Chris part (I asked a friend to tell me when Lorelei and Chris busted up and stayed away until they did). Season Seven was not a truly awful season. There were still many great moments during the year, including an absolutely splendid series finale, but by the end the show was having fewer and fewer of those wonderful moments that made it so special.

One major reason Season Seven struggled so much was the absence of the show's guiding genius. During contract negotiations at the end of Season Six, the WB offered Amy and her co-producer husband Daniel Palladino a one-year contract. She wanted the respect to be offered a two-year contract. The WB refused to budge and she and Daniel left the show. Since the two of them had either written or directed separately or together the bulk of the episodes on the show, the loss was irreparable. The show was built mainly around great talk, but what happens when the person most responsible for that talk leaves? Unfortunately, the brilliance of the talk went with them.

Those left behind tried gamely to carry on. But they also had the misfortune to be left with the remnants of an exceedingly bad story arc that Amy left behind. Most fans of THE GILMORE GIRLS came to dislike Lorelei at times during Season Six, including Lauren Graham. While most agreed that Luke was being too secretive about learning that he had a daughter he knew nothing about, most also felt that Lorelei's reaction was excessive. She became pushy and needy and impatient and just generally unlikable. Then incredibly stupid by giving Luke an ultimatum to either elope on the spot or lose her. And Season Six ended with her sleeping with Luke.

This whole story arc has to be laid at the feet of Amy Sherman-Palladino and the show had no choice but to continue the arc in Season Seven. As brilliant as Amy was over the first five seasons, the falling apart of Luke and Lorelei's relationship in Season Six and then whole Chris mess in Season Seven were her worst contributions to the show. Luckily, it didn't last forever. By the end of the season Rory had graduated from Yale and Lorelei was yearning to be with Luke, acutely conscious of what she had lost.

The season ended on some of the best moments of the year. One memorable episode had all of Stars Hollow laid out as a vast maze, in a weird plan by Taylor that for once truly worked out. Lorelei and Luke meet and express some of the regrets that they had felt for some time. It was a great moment. But the highpoint of the season and one of the highpoints of the entire series occurred in a scene in which Rory gets her mother drunk enough to sing on karaoke night. She starts off singing Dolly Parton's "I Will Always Love You" (and the Dolly Parton arrangement, not the overly ornate butchering that Whitney Houston did) in Rory's direction. But Luke walks in as she sings and inevitably her gaze shifts. As she sings (and quite well, thank you), you see a world of conflicting emotions overcoming her: regret, yearning, hope, resignation, good will, and love. I don't know of another actress on TV other than Lauren Graham who could have pulled it off. It was one of those utterly perfect TV moments that reminded me not just why I watch THE GILMORE GIRLS but TV in general.

Until the very end of the season it appeared that there was going to be a Season Eight. The CW (which had taken over the show when the WB and UPN merged) hoped to have a 13 or 16 episode shortened season, but in the end Lauren Graham and Alexis Bedell, who were both up for contract renewal, declined to sing new contracts. But after seeing what turned out to be the series finale I am almost grateful of their decision. What a lovely end to a wonderful series! Few shows get to go out perfectly, but THE GILMORE GIRLS managed one of the most perfect finales ever. As Luke marshals the town for a farewell party (on one day's notice) we get a beautiful episode that allows us both to see all our favorite characters one last time and to say goodbye to them. Everything that should have been done was done. Rory is off to join the Barack Obama campaign as a reporter. Lorelei, when Sookie tells her that the planning of the party "was all Luke," realizes that Luke, who is sometimes slow to speak, has shown how he feels about her with actions. When she thanks him and he tells her that he likes to see her happy you know that they are going to be fine. You don't even need the kiss that follows. And the series ends just as it began seven years earlier, Lorelei and Rory sitting in Luke's diner.

I'm not sure that this is a show that can be replaced. Some shows are sui generis, truly one of a kind. This is one of those. The premise of a mother and daughter who were best friends was at the heart, but it didn't make it unique. It was the combination of the amazing group of characters, the wonderful town, and the endless stream of magnificently written scripts.

I want to end by praising Lauren Graham. This was a great cast with a number of remarkably gifted actors. But Lauren Graham towered above them all. The Emmys never did her justice. It is almost inconceivable that she never received a single Emmy nomination. Yet for seven years she was without serious competition the finest actress on television. How can such a travesty occur and the Emmys not feel a profound sense of shame? It is true that last year the Emmys were "reformed" in order to make it possible for deserving performers more likely to be nominated. Lauren Graham's name was the one mentioned as an example of such a performer. Yet even with reform she didn't receive a nomination. But to me her performance as Lorelei is one of the great achievements of television acting. No one came anywhere close to her in handling comedy; no one could rival her delivery of the machine-gun like dialogue. But neither could many rival her with drama. The karaoke scene I mentioned is a perfect example.

I will truly miss this series.

First of all, this movie seems to be billed as some kind of romantic comedy starring Alexis Bledel. It isn't. Rather, it is a character study focusing on narrator / protagonist Tommy (Scott Porter), a charismatic but manipulative Wall Street trader. Secondary focus is placed on his girlfriend Beth (Bledel) and his awkward protege Daniel (Bryan Greenberg) as they try to figure out their place in this Type-A dominated world. The goal is not necessarily to like any of the three characters, just to understand them.

The plot itself is pretty simple but the writer/director compensated by making every attempt to come across as believable and authentic as possible. Usually this hits the mark, but not always. Most of the locations such as offices, apartments, and bars are spot-on and I found most of the dialog and interplay quite believable. On the flip side, while I believe that Alexis Bledel could live in NYC for a while and never have heard of The Cloisters, I find it unfathomable that Beth, an anthropologist, would not. This is a pretty big oversight considering how important a role the excursion to The Cloisters has in establishing Tommy's ability to sweep Beth of her feet. Along these lines, I think the writing went a little too far with the foreshadowing. For example, comparing a book club book to the story itself smacks of trying too hard to be clever.

This leaves the acting. I thought the casting and performances were excellent, with all of the characters fitting the bill perfectly, no matter how minor. This is what I appreciated most about the film - the glimpse into these people's lives provided by the portrayals. They were serious when they mean to be serious, funny when it is meant to be funny, and it all felt genuine. There isn't enough to it to consider a 5* rating, but I believe it is successful in achieving what it sets out to do.

I have been a fan of the 'Gilmore Girls' since the second episode of the series (I never saw the pilot until the DVD release), and ever since that episode I had been hooked into this wonderful, magical, comedic, and heartfilled world with these characters.

Season six starts off on a much different note, taking the show in a direction that it has never been: What would things be like if Lorelai and Rory where no longer friends, and never spoke? After the rift between mother and daughter at the end of the fifth season, Rory dropped out of Yale and moved in with her Grandparents, aliennating her mother, who was eccentially at a loss for words on the entire subject.

Trying to make up for each other's loss Rory starts to go down a path of wallowing and denial as her relationship with Logan gets more and more serious. Lorelai on the otherhand has a wedding to plan and a new dog to take care off.

Season Six while not as good of an overall quality as season five, is still a very strong and entertaining as ever, and for long time fans of the show there are more than a few surprises including the return of two old cast members, A very special wedding (which is probably the best episode of the series thus far), and a bittersweat goodbye to the series creator Amy Sherman-Palladino who's final episode as an Executive Producer will the finale, fitting titled: "Partings"

Season Six includes the following episodes:

New and Improved Lorelai

Fight Face

The UnGraduate

Always a Godmother, Never a God

We've Got Magic to Do

Welcome to the Doll House

Twenty-One is the Loneliest Number

Let Me Hear Your Balalaikas Ringing Out

The Prodigal Daughter Returns

He's Slippin' `Em Bread... Dig?

The Perfect Dress

Just Like Gwen and Gavin

Friday Night's Alright For Fighting

You've Been Gilmored

A Vineyard Valentine

Bridesmaid Revisited

I'm OK, You're OK

The Real Paul Anka

I Get A Sidekick Out of You

Super Cool Party People

Driving Miss Gilmore

Partings

Season six, while finally showing its age is a perfect example why this is one of the best TV series on Television.

I only bought this movie because Alexis Bledel was in it and overall, I have to say, I'm very disappointed. Aside from the two women (Alexis Bledel and Schuyler Fisk), the acting was awful/bland, and the plot was just really weird/lame. Throughout the story, you get to know the characters and see their relationships develop and then all of a sudden, you realize they were all just acting. At the end, two completely random people end up being the real Jill and Kate and I couldn't have cared less who he ended up with because they were both complete strangers with whom there had been no chemistry developed.

It's really ridiculous to waste so much time building up everyone's relationships and chemistry like that only to extinguish it all in the end. I can tell the director was going for something unique and different here rather than just the predictable love story but honestly, a predictable love story would have been much better. IMO, this just didn't work out at all.

Aside from the ridiculous plot twist, the main character was just not all that likeable. Jay's Reed was less the likeable guy and more the mumbling, moronic loser who I just couldn't like no matter how hard I tried. I wish neither woman had ended up with him in the end because he really wasn't worthy of any of them in any respect.

The only decent part of the movie was when Schuyler Fisk sang at the bar. That was truly the only thing worth watching so please, don't waste your money on this one unless you really want to see her sing (Even then you might just want to fast forward to that part).

"The Show That Almost Wasn't."

That's the most surprising lesson learned about the nature of television production -- as told by the show's creator Amy Sherman-Palladino -- in the WB's stellar GILMORE GIRLS release: Ms. S-P had pitched a variety of programs for WB executives, and, when they asked for more, she made up an idea on the spot -- with no preparation or background detail -- which the executives took! Then, Ms. S-P had to go and create it.

GILMORE GIRLS arguably stands as a benchmark in television history. In some ways, the program is like SEINFELD: if you don't get it, you won't get it. In other ways, it's a high quality Hallmark Channel movie-of-the-week, currently stretching out beyond its fourth season and soon to be entering its fifth. Still, in more ways, there's absolutely nothing else like it on television.

GG is far more than just the story of Lorelai Gilmore and her daughter, Lorelai "Rory" Gilmore: it's the story of the fictional town known as Star's Hollow -- the dreamland for bed-n-breakfast businesses -- and the odd assortment of characters who happen to live, work, and breathe there. While the centerpiece is clearly the Gilmore family -- a contemporization of the BRADY BUNCH, if there could ever be such a thing -- the spin of the show is, to its benefit, the plethora of wonderfully imagined and uniquely quirky townsfolk who populate the secondary storylines.

And, yes, the acting is top notch. The direction is absolutely superb. The writing is, by far, some of the most deserving work being put up on the boob tube today.

Still, GG is on the WB, meaning that it will, more than likely, never find the kind of ratings the show deserves. Like STAR TREK, GILMORE will find its true financial potential in syndication and DVD releases ...

much like this current release of the 21 1st season episodes.

To my delight, I'm just discovered these television characters. My wife has watched the show since the beginning, but I always dismissed it as a "chick flick," tuning it out to spend my time on other shows. However, she convinced me to give it a chance this past season (its fourth), and now -- here am I -- writing a review for Season 1 that we watched together virtually non-stop. Others here have raved about the quality of the writing -- the true lifeblood of the program -- and I wouldn't even attempt to do GILMORE a disservice in discussing it other than to add "every good thing that's been said here is absolutely not enough to sanctify how well, apparently, every episode is written."

Honestly, GILMORE is really that good.

Truth be told, the extras are surprisingly thin -- but of good quality -- on this 1st season release, especially considering the fact that the show is currently in production for the WB. Disc 6 includes a handful of deleted scenes; a mini-doc with some revealing insights from the show's creator, cast, and crew; and some scenes from various episodes edited together in a piece that tries to capture the 'essence' of what makes GILMORE GIRLS as remarkable a television achievement as it is. One would think that Warner Brothers would've offered more -- in-depth interviews with the series cast OR, minimally, an audio commentary or two -- but, sadly, that isn't the case. As a result, one could argue that the studio -- as Amy Sherman-Palladino points out in the scant 30 minute documentary -- has underestimated the intelligence of its audience, focusing only on the commercialism of the program and not feeding the fanbase brain.

The 6-disc set is presented in full screen format. The video quality is excellent. The sound quality is excellent (there are a handful of scenes that are hard to hear b/c of verbal pacing, not production issues). Overall, this is one great package only lessened by what they chose not to provide: audio commentaries.

The second season of "Gilmore Girls" is when a lot of things did not happen to Lorelai Gilmore. It started with Lorelai not marrying Max ("Red Light on the Wedding Night") and ended with her not marrying Christopher ("I Can't Get Started"), but Sookie got married so at least there was some progress in that area, although the duo's plan to open an inn together hits a major roadblock ("The Ins and Outs of Inns"). Of course, the most important thing that did not happen to Lorelai was that she manages to really notice Luke despite the fact he is pretty much there in front of her every morning at the diner. Clearly the creators of "Gilmore Girls" remember what happened to "Moonlighting" once Dave and Maddie stopped bantering and started kissing and other things, so the agenda is to put off the inevitable for as long as possible. So even if it is obvious to everyone else in Stars Hollow (to wit, Emily), does not mean that Lorelai has a clue.

As for Rory, her junior year at Chilton has its ups and downs. and not just because of Paris. The ups would be "The Road Trip to Harvard" and making her society debut ("Presenting Lorelai Gilmore"), while the downside would be the rift between her and her grandfather because of Dean ("Sadie, Sadie") and the problems with Dean because of Jess ("There's the Rub" and "A-Tisket, A-Tasket"). If anything, the common denominator is to make sure that none of the Gilmore women are happy, which means Rory is mad at Lorelai for blaming Jess for the accident ("Help Wanted," Lorelai is mad at Emily for arranging their going to a spa together ("There's the Rub") and Emily is mad at Richard for quitting his job without consulting here ("The Bracebridge Dinner"). What? You thought Emily was going to be mad at Rory? Are you kidding? Have you not been watching this show?

For me the fascinating part is watching the yang of Lorelai and Emily's relationship compared to the yin of the Lorelai and Rory dynamic. For me some of the most memorable moments from season two are when Emily orders Richard to make up with Rory because if their granddaughter ever gets married she to know about it (Lorelai did not tell her parents about her engagement to Max) and the look on her parent's face with Lorelai gets her business school diploma ("Lorelai's Graduation Day"). But then a good rule of thumb is anytime we see a chink in Emily's armor it is a moment that will be hard to forget. I am still trying to make up my mind as to whether or not Lorelai has an even more strained relationship with her father than her mother, given his visit to her place of work ("Richard in Stars Hollow") and her visit to his new office ("Help Wanted"). I am certainly leaning in that direction, but it is still open to debate.

But overall the two emotional highpoints of the second season finding Lorelai giving and then receiving as good as she gets. The giving happens in "Teach Me Tonight" when a totally distraught Lorelai goes after Luke because of the car accident where Rory gets hurt (slightly hurt, but hurt is hurt, and there is a cast on her arm, mister), creating a serious rift in their relationship. The receiving is two episodes later in "Lorelai's Graduation Day" when Rory misses the big event and offers the most high speed combined heartfelt apology and verbal self-flagellation in television history (I agree with her, I think she had a stroke or something).

My strong affection for high-speed dialogue can be traced from "Gilmore Girls" back to "Moonlight" and beyond to "The Thing From Another World" and any movie starring Groucho Marx. Equally as strong is my enjoyment of gratuitous pop culture references, especially as manifested in "The Simpsons" and "Buffy the Vampire Slayer." So to have a series that combines both of these elements and provides deleted scenes on the DVD is one of those absolute joys you hear so much about (although my wife is tired of me explaining all of the references, allusions, and impromptu name dropping). Then again, while I knew from the start that Carole King was singing the show's theme song "Where You Lead" with her daughter Louis Goffin, I only recently figure out they had re-recorded the song with some of the lines changed to better fit the show (No, I do not fast forward through the title sequence; I always listen to the song).

I am also pleased to see that the "Gilmore Girls" is being seen around the world, although I have to wonder how the pop culture references translate into out cultures (I have no doubt people can speak real fast in any language). But you can see "Gilmore Girls" now from Argentina (the current season is on the Warner Channel Thursdays at 21:00 with past seasons shown weekdays at 11:30 and 16:30) to the United Kingdom (Sundays at 18:00 on Nickeloden U.K.). It is nice to think that Stars Hollow's madonna and child have gone international.

Gilmore Girls is one of those rare shows that has maintained a consistently high standard of quality throughout its run and has even managed to get better with age. The show started with the Lorelei (Lauren Graham) & Rory (Alexis Bledel) as mother & daughter who are best friends. Rory was an innocent intellectual who was starting a prestigious high school as sophomore. Through the years, the show has transformed her from a young girl who lost herself in books and education to a young woman who is experiencing life first-hand. The change started at the end of season four when Rory sleeps with her ex-boyfriend, the married Dean (Jared Padalecki) and continues in this season with her relationship with the rich Logan Huntzberger (Matt Czuchry). The change in Rory is startling and Lorelei has a tough time dealing with it thus creating rift between the two. This season also shows the blossoming of her relationship with Luke (Scott Patterson) and how that relationship is handled by her parents Emily (Kelly Bishop) and Richard (Edward Hermann). One particular funny episode involves Richard taking Luke golfing. The best episodes of the season involve Richard & Emily's wedding to renew their vows and the fall-out from Emily's visit to Rory's father Christopher (David Sutcliffe) who shows up at the wedding and gets into a verbal fight with Luke. The season ends with Rory and Logan stealing a yacht and Rory decides to drop out of Yale. Lorelei goes to her parents for help in this matter and they agree Rory shouldn't drop out. They provide the cruelest slap of all in Lorelei's face when they renege on their promise and Rory ends up moving into the pool house. Ms. Graham is particular superb in this season and fact she was snubbed for an Emmy nomination is criminal. Gilmore Girls continues to be among the best shows on television and season five only reinforces it greatness.

This is a truly amazing film brought to life by four truly amazing girls-- Alexis Bledel as shy Lena, Amber Tamblyn as rebel Tibby, Blake Lively as fun-loving Bridget, and America Ferrera as writer Carmen. Each girl has a different story to deliver from different parts of the world. Lena's in Greece with her grandparents, Tibby's at home working a dull job at Wallman's, Bridget is at soccer camp in Mexico, and Carmen is visiting her father in South Carolina.

Together, they form the Sisterhood of the Traveling Pants after discovering that a hot pair of Levi's fits each of their different body types perfectly. They decide that the best thing to do is to share the jeans since they'll be spending the summer apart, wearing them for one week and then mailing them to the next person. Lena gets them first, almost drowning the first day she wears them, only to be rescued by a cute Greek boy, who will no doubt get her out of her shell. Tibby gets them next, who is staying home to work to get money for more camera equipment to make her "suckumentary." She meets a vivacious 12 year old named Bailey, a girl who loves life as opposed to Tibby's "life sucks" attitude. Carmen then gets the jeans-- she learns that her father (who left her when she was young) is remarrying a woman with two children. She feels like an outcast in a see of blonde Brady Bunchers. Then the jeans head to Bridget. She's still coping with her mother's suicide, and flirts with the off limits soccer coach because it gives her something to do other than be sad.

So the jeans travel between each girl throughout the movie, each time getting a new story and opening up new chapters in these girls' lives. This is a wonderful movie. Very well played out and extremely well written, surprisingly so for a film about girl power... it stacks up much better than films like Sleepover or New York Minute, which absolutely stink compared to this rare summer jewel. RECOMMENDED!!

Just so you know, this is the IDENTICAL PILOT THAT IS IN THE COMPLETE FIRST SEASON SET. I give the show itself 5 stars, and for everyone who just wants a taste, buy the DVD. BUT if you own the first season, there is NO NEED to buy this one.

While it's probably a total cliche to say it by now, Sin City really is a wild thrill ride of a movie, and quite possibly the most entertaining thing that will hit theaters all year. Adapted by director Robert Rodriguez from Frank Miller's graphic-novel series, it's an energetic slab of neo-noir, complete with twisted characters, ambiguous morality, and deadly serious dialogue. For those who thought the Kill Bill movies weren't bizarre or violent enough, Sin City ought to seem like a stylish, action-packed gift from guy-movie heaven. It's filled with negativity, outrageously over the-top bloodletting, and some of the blackest humor known to man, but it all works anyway. I even managed to forgive the incessant voice-over narration, normally a rather lazy device, because it's so oddly poignant and poetic. It's not really that big a deal anyway, because this movie is so impressive visually that the characters could speak in gibberish and I'd probably still be moved to give it at least three stars.

It should be noted right off the bat that Sin City is not a movie for everyone, but if you're the type who would like it you presumably know who you are. IF you like crime movies, especially those filled with action and atmosphere, you will almost certainly get a kick out of Sin City. If you prefer lighter, more "socially redeeming" fare, you may still like it, or you may be overcome with bile filling your throat for most of its two-hour running time. It's all a matter of how willing you are to accept what's going on without asking too many nagging questions like "How exactly did Mickey Rourke just take out ten armed riot cops with nothing more than his fists and a hatchet?" or "is it really possible or even necessary to manually tear off a man's scrotum?". Everything about this movie is utterly outsized, from the themes to the characters to the action, but in the end it's a rousing success at what it intends to do, which is entertain. It's precisely because this movie was so utterly entertaining that I found myself unwilling to nitpick; you'll probably be too busy having your senses assaulted to linger on any problems you may have with the movie. Nothing is more key in movies (or TV, or novels for that matter) than getting the viewer to suspend disbelief, to simply let go and enjoy what's transpiring regardless of the plausibility level. Some of my favorite movies are wildly unrealistic, but at some point when watching them I just decided to go with it. Sin City is one such movie: I realized early on that the events unfolding onscreen bore little to no resemblance to reality as presently constituted; I just didn't care. I went to see this movie with my wife (who is, to put it mildly, not a fan of dark or violent movies), and she may have summed up the experience of watching it the best when she said simply "I was never bored." That, ultimately, is the secret to Sin City's success: it's so gripping to watch that it's hard to care about anything else.

As everyone (and probably their brothers) knows by now, Sin City was filmed using real actors against a black-and-white CGI background with some touches of color added for dramatic effect. It may seem like a gimmick at first, but Sin City is all about bringing the viewer into a sort of parallel universe, so this unconventional device works perfectly. Sin City is a movie dealing with lives on the edge, and it conjures up a delightfully dark, grimy, and gritty atmosphere to go match the depravity of its subject matter. Weighty themes and over-the-top violence abound here, and it's only fitting that the movie's look and feel should be so uniformly haunting. Consisting of three tangentially related stories occurring out of sequence, Sin City brings the viewer into an underworld populated by thieves, murderers, hookers, and dirty cops, and the morality is viewed entirely in shades of grey. In the Basin City of the movie, where the good guys are bad and the bad guys are even worse, violence is often a virtue, or at the very least a prerequisite for survival. If there's one redeeming value to Sin City's cartoonish ultraviolence, it's that it's painfully clear that its recipients generally deserve it.

Anyway, if there's one theme running through all of these stories, it's that of redemption. The protagonist in each tale (Bruce Willis's Hartigan, Rourke's Marv, and Clive Owen's Dwight) is a most unlikely hero (although Hartigan is just a regular cop and therefore not exactly bad, whereas it's clear that Marv and Dwight are murderers), but each finds himself driven to acts of extreme courage and sacrifice in order to see justice done. Sin City portrays a kind of heroism not typically seen in movies (especially big-budget, sanitized Hollywood productions), one that comes from doing the right thing even when it's nowhere near being the easiest thing. Rourke's Marv is probably the most memorable character, a hulking thug with a highly overdeveloped sense of vengeance who managed to arouse some of my sympathy even as he cut a swath of unimaginable destruction through his enemies on his way to avenging a murdered prostitute. Out of the legions of other figures in the movie, the great Benicio Del Toro deserves some special mention as a comically malevolent crooked cop who won't shut up even after he meets his unfortunate end.

Now, although I've gone on too long already, I'd feel remiss if I didn't talk about Sin City's staggering violence quotient. Yes, this an extremely graphic movie, and much of the violence is downright disturbing to watch (Elijah Wood's character being cut up and fed to a wolf is a prominent example, even if much of the violence in that case was implied), but it's just as true that context is an important factor when considering just how offensive such bloodletting is. Now, for one thing, Sin City is meant to be a piece of escapist cinema, so nothing that takes place onscreen should be taken too seriously anyway. After all, no one got offended during the scene in Monty Python and the Holy Grail when King Arthur cut off the Black Knight's arms and legs; that scene was meant to be funny and it was. Perhaps more to the point, the violence here is so ludicrously over the top from the opening scene that it's hard to imagine any rational person getting too upset. You have to just go with it; if you're the kind of person who makes it a point to be huffy and offended all the time you shouldn't be seeing this movie anyway. 'Nuff said

Gilmore Girls is one of those rare shows that has maintained a consistently high standard of quality throughout its run and has even managed to get better with age. The show started with the Lorelei (Lauren Graham) & Rory (Alexis Bledel) as mother & daughter who are best friends. Rory was an innocent intellectual who was starting a prestigious high school as sophomore. Through the years, the show has transformed her from a young girl who lost herself in books and education to a young woman who is experiencing life first-hand. The change started at the end of season four when Rory sleeps with her ex-boyfriend, the married Dean (Jared Padalecki) and continues in this season with her relationship with the rich Logan Huntzberger (Matt Czuchry). The change in Rory is startling and Lorelei has a tough time dealing with it thus creating rift between the two. This season also shows the blossoming of her relationship with Luke (Scott Patterson) and how that relationship is handled by her parents Emily (Kelly Bishop) and Richard (Edward Hermann). One particular funny episode involves Richard taking Luke golfing. The best episodes of the season involve Richard & Emily's wedding to renew their vows and the fall-out from Emily's visit to Rory's father Christopher (David Sutcliffe) who shows up at the wedding and gets into a verbal fight with Luke. The season ends with Rory and Logan stealing a yacht and Rory decides to drop out of Yale. Lorelei goes to her parents for help in this matter and they agree Rory shouldn't drop out. They provide the cruelest slap of all in Lorelei's face when they renege on their promise and Rory ends up moving into the pool house. Ms. Graham is particular superb in this season and fact she was snubbed for an Emmy nomination is criminal. Gilmore Girls continues to be among the best shows on television and season five only reinforces it greatness.